Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Soviet animation inspired by the ancient Egyptian paintings.

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.

Join Thomas as he roars down the tracks with the most special delivery yet, the Lion of Sodor. Thomas' special delivery is not what he thinks it is - a real lion. When the other trains try to tell him that it's actually a statue, he is too excited to listen. Join Thomas as he learns the importance of listening to others in this lion hearted collection of tales from the tracks.

It is the 30th millennium. Humanity is caught in the midst of a fratricidal war between those of the meta-human Space Marines who are loyal to the Emperor, and those who no longer are. The once noble warriors of the XII and XVII legions are cutting a bloody path throughout the realm of Ultramar, committing boundless atrocities out of sheer spite and hatred for their cousins belonging to the XIII legion. In this episode we gain a glimpse of the aftermath of the battle on planet Sathus, and the living nightmare taking place on a starship manned by traitorous legionaries, as they bide their time on the approach to planet Calth.

Violet, employed as a maid of Count Berkow, is wrongly accused of burglary of the Count. After an unjust prison sentence Violet travels to America.

Tarlabaşı'nda sefil bir perukçu dükkanı işleten, yapayalnız bir adam olan Hamdi yakalandığı hastalıktan ötürü yakın bir gelecekte öleceğini bilmektedir. Mutsuz ve umutsuzdur, ancak hala ölmeden önce yapmak istediği bir şey vardır; uzaklarda bir yere, belki de Brezilya'ya gitme hayali kurmaktadır. Bir gün dükkana saçını satmak üzere gelen bir kadın, Meryem, Hamdi'nin dünyasını alt üst eder. Bu kadına karşı hatalıklı bir tutkuya kapılan Hamdi onu evine kadar izler. Bir ölü yıkayıcısı olan Musa ile mutsuz bir evliliği olan Meryem bu ilgiyi fark ettiğinde hiddete kapılır; onu reddeder. Ancak, Hamdi'nin takıntısı, Meryem'e karşı duyduğu hastalıklı aşk, her türlü engeli aşmayı göze almaya yetecek kadar büyük ve daha da önemlisi tehlikelidir...

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

The film is an unofficial remake of Tamil film Ullathai Allitha, which itself is influenced by the Hindi film Andaz Apna Apna.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

An aging soccer player has a part-time girlfriend, a young fan, and doubts about throwing a game.

A spunky young bellhop investigates the murder of a hotel guest.

A low-budget re-telling of the classic fairy tale.