A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

Ean has a critical mission to return to the future to save everyone. However, she becomes trapped in the distant past while trying to prevent the escape of alien prisoners who are locked up in the bodies of humans. Meanwhile, Muruk, who helps Ean escape various predicaments, is unnerved when he begins sensing the presence of a strange being in his body. Traveling through the centuries, they are trying to prevent the explosion of the haava.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Yedi yıl önce Zaid, ölen kardeşinin intikamını almak için Kopenhag yeraltı dünyasına karşı savaşa girdi. Saygın bir kardiyoloji doktoru ve bir aile babası olarak yaşam kimliği, solmakta olan bir hayalden başka bir şey değildir ve Zaid, hapishanede çok az tanıdığı oğlu Noah'ı kaybetmenin acısını çeker. Bir polis ajanı Zaid'e yaklaşıp ona Kopenhag yeraltı dünyasına sızma karşılığında serbest bırakılacak bir anlaşma teklif ettiğinde, Zaid geride bıraktığı aile hayatının kalıntılarını geri alma şansını yakalar. Ancak her şeyin bir bedeli vardır ve Zaid, artık oğlunun hayatını ciddi şekilde tehlikeye attığını fark eder. Sonuçta yeraltı dünyasının bir parçası olduğunuzda orada bir şey var mı?

The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.

Inspector Lavardin is called to a provincial village to investigate a murder – only to find that one of his ex-lovers is the victim’s widow.

Three years after the death of her beloved child, Elouise, Mara still feels her presence when she sits on the butterfly bedding in front of the jar with her ashes in it. Mara arranges a twelfth birthday party for Elouise, further alienating her from her husband, Richter, and remaining daughter, Hannah. Although Mara eventually vacates Elouise's room at the insistence of her husband, she does find a way to stay close to Elouise. Before long, however, Hannah discovers her mother's secret.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Just out of jail, crumpled English archaeologist Arthur reconnects with his wayward crew of tombaroli accomplices – a happy-go-lucky collective of itinerant grave-robbers who survive by looting Etruscan tombs and fencing the ancient treasures they dig up.

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Sam, yakın zamanda işlenen cinayetleri önseziyle görebilen ve bu gördüklerini dedektiflere ileten biridir.Kızkardeşi Jenna ile beraber eski kız arkadaşının ölümünü araştırmak geçmişe dönmekte kendisine kalmıştır.Eski kız arkadaşının katili Pontiac Katili diye bilinen bir seri katildir.Fakat şimdiye kadar öldürdüğü 8 kişiye rağmen katile ulaşılamamıştır.Bu sırlarla hem ölüm kalım savaşı verecek hemde gizemli bir geçmişe dönüş yapacaktır.Fakat olaylar hiç beklemediği şekilde gidecektir ve büyük süprizler onu bekliyor olacak.

Buster Keaton’ın, daha ünlü filmi The General (General, 1927) kadar iyi sayılabilecek, Güneylilerin töreleri üzerine yaptığı usta işi bir taşlama olan Our Hospitality (Konukseverliğimiz), iki aile arasında kökleri eskilere uzanan bir kan davasının saçma cinayetler tarihini anlatan nefis canlandırılmış dramatik bir giriş bölümüyle başlıyor. Bunu asıl öykü izliyor: Buster’ın canlandırdığı Willie McKay, 20’li yaşlarında, New York’ta büyümüş ve kasabasına dönen (ilkel bir trende geçen müthiş komik bir yolculukla) saf bir gençtir. Yolculuk sırasında tanışıp hoşlandığı genç kızla (kanını dökmeye hâlâ yeminli ailenin kızı çıkınca) yakınlaşması yüzünden canından olma tehlikesiyle karşılaşır ve içinden çıkılmaz bir duruma düşer; öte yandan düşmanlarının Güneyli konukseverliği, çatılarının altında olduğu sürece kendisine adabınca davranılmasını gerektirmektedir.

A tale of terror. Cathy Reed has been institutionalized most of her life because of Schizophrenia, as a child her parents thought she was possessed by demons and had her exercised by priests. Medical science saw different. Now decades later Cathy is freed, relocated to her own flat and given a chance to be independent. Once alone things are not what they all seem and when her nightmares turn real she questions her state of mind before she is left to face her demons.

Filmde Monk, düğününe hazırlanan gazeteci olan sevgili üvey kızı Molly ile ilgili son, çok kişisel bir vakayı çözmek için geri dönüyor