Maddin’s frequent collaborator Evan Johnson (who is co-director on The Forbidden Room) presents four visuals essays, ranging from one and a half to four minutes in length: Puberty, Colours, Elms, and Cold, each representing a visual exploration of a specific theme.

Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.

Recorded at New York's infamous Supper Club in the spring of 1998, VH1 STORYTELLERS-Rod Stewart finds the vocalist at his most engaging. Performing songs from his legendary career, Rod recounts the tales behind his biggest hits including "Maggie May," "Tonight's the Night," and "Forever Young." This DVD release includes 2 bonus performances not seen in the original broadcast.

The story follows a boy named Quon and others who suddenly wake up with supernatural powers.

When career criminal John - the character from Clausen's drama-comedy »Temporary Release« (2007) - is granted parole, he hastens to Jutland to visit his son who is in difficulty. John might be a dedicated father, a perfect employee, and a great line-dancer, but life isn't exactly plain sailing.

A corrupt lawyer hires a killer to murder his client's divorced ex-wife. The start of a true love story.

When the Harker Arts Academy drama club produces a play based on the silent horror film Nosferatu (1922), reality and fiction collide, and blood begins to spill.

For nine years in the 1950s, Jan Troell worked as a teacher at the Sorgenfri primary school in Malmö (an experience he drew on for his study of a teacher's relationship with his class, Ole dole doff (Who Saw Him Die?) in 1968); he lived in a house once occupied by Ingmar Bergman. In Malmö, Troell made his first film, Stad (The City), about a day in the life of Malmö, showing the life of the people from dawn until dusk.

Ever since Badal was an eight year old, he's been in love with violence. As a role model, he chooses the local mafia leader Bachcha Babu. As he grows up, Badal's passion for becoming like Bachcha Babu increases. One day, by chance, he gets the opportunity to join Baccha Babu's gang. He meets a girl called Megha and falls head over heels for her at first sight. However, she wants nothing to do with him. Megha's father, Sharmaji, who is a government school teacher, finds out that Badal is bothering Megha. With the help of his journalist friend, he goes to Bachcha Babu and tells him that Badal is creating trouble in his daughter's life. Bachcha Babu assures the journalist that from now on Badal will not disturb Megha and her family. In the course of events Bachcha Babu bumps into Megha and finds that he wants her for himself - at any cost. Bachcha Babu goes to the extent of killing his own wife to marry Megha.

In postwar London a young graduate and his girlfriend decide to marry. Her well-to-do parents are not convinced, but they agree once he has got a £5.10.0 job and a 30/- a week single-room flat. The newly-weds find money fearfully tight, the flat cramped, the neighbours a trial, and her parents always hovering. Can faith conquer all? Is there some way of getting rid of tea-leaves except down the sink?

Another wet and wild Sylvester Cat-Tweety Bird chase, this time in the flooded areas of Venice, Italy, where Granny has taken Tweety on vacation.

A notorious outlaw being escorted to prison by a homesteader and his wife turns out to have satanic powers. He uses them on the man's wife to try to possess her and help him escape.

Two tribes go to war. Nobody wins.

If you’re a climber, you’ll find things to climb, even in the city. Look long enough and you might even find a bit of rock stuck to a smooth concrete wall. Who put it there? And more importantly, can I climb on it? Before the climbing gym, there was the glue-up. Brian Payst brings us from soaring North Carolina granite walls to the Chapel Hill underground.

Documentary based on archive material focusing on the dictatorial regimen in Portugal and its fall with the "Revolução dos Cravos" (Carnation Revolution), in 1974, after 48 years of Salazarism.