“Altı Ahlak Hikayesi” serisinin ilk filminde, Paris sokaklarında gezinen bir hukuk öğrencisi, eski usul bir pastanenin müdavimi oluyor, sürekli buradan atıştırmalıklar alırken, tezgâhın ardındaki alımlı kadının ilgisini çekmeye çalışıyor.

In the middle of the 17th century, the Marquise de Sévigné wanted to make her daughter a brilliant and independent woman in her own image. But the more she tries to control the young woman's destiny, the more she alienates her. Mother and daughter then experience the throes of a singular and devastating passion. A major work of French literature is born from this devastation.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Bellisha is a good Jewish boy. He is a 27-year-old curly-haired, weak and nonchalant young man who struggles to become an adult. He still lives with his mother, Giselle, in a poor neighborhood. After the closing of the last synagogue, it is the turn of the last kosher grocery store to close its doors. That's it, they are the last Jewish family in the area. But much to Giselle's dismay, Bellisha doesn't particularly want to leave. He feels comfortable and positive, despite the tensions in the community and his mother's rapidly deteriorating health.

They come from all over the world but they have one thing in common : The Foreign Legion, their new family. Our Men tells these stories : stories of women who struggle to keep their love fire burning; stories of men who leave for battle; stories of loving couples on hostile ground.

While rehearsing a flamenco ballet adaptation of Bizet's opera “Carmen”, Antonio, the choreographer, falls in love with the main dancer, Carmen, a fiercely independent woman. Antonio is slowly consumed by jealousy and possessiveness towards Carmen, just like Don José in the original opera, blurring the lines between fiction and reality.

Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.

When Isra’a discovers she is expecting another baby amid the civil war in Yemen, she and her husband decide she should have an abortion. But this creates enormous difficulties – in their relationship and elsewhere. A moving story from an all-too-often forgotten crisis region.

Paris, 1894. Who is Fanni, who claims to be voluntarily locked up in a women-only mental institution? Searching for her mother among the multitude of so-called 'madwomen', Fanni discovers a community of modern heroines who defy her expectations, along with the unexpected friendship of fellow patients. The sumptuous and renowned 'Party of Fools' of the asylum is in preparation. Politicians, artists, and socialites will flock to it. It’s her last hope of escaping the closing trap.

As a forestry student doing an internship, Anja Grimm ends up in that remote area in the Upper Palatinate Forest, where she went on vacation with her parents as an eight-year-old girl and her father disappeared without a trace. Her job is to take soil samples to create a soil map. At one point in the forest floor she comes across abnormal irregularities. Not long after their arrival, a brutal murder occurs. Anja soon arouses suspicion and hostility not only among the villagers with her suspicion that the perpetrator knows something about her father's fate and with her questions about the atypical soil composition in the forest clearing. Even the police react extremely reservedly to their investigations. And when it turns out that the young woman can read the signs of the forest like an open book, forces mobilize in the village who are apparently ready for anything because there is a dark secret that needs to be kept.

A group of bad cops look to dispose of a body that one of them accidentally shot.

Sophia, a brilliant doctoral student, has always maintained a symbiotic relationship with her brother Karim. The arrival of a new lover in Karim’s life significantly alters their dynamic.

Florence, delicesine aşık olduğu David’i babası Guillaume ile tanıştırmak ister. Ancak David, Florence’ı sevmediği için arkadaşı Willy’nin kollarına atarak ondan kurtulmak ister. Bu dört karakter, ıssız bir restoranda buluşur ama hepsi aslında oldukça sıradan bir romantik komedinin oyuncularıdır. İkinci Perde, parıltısını kaybeden sinemanın geleceği, yapay zeka, politik doğruculuk üzerine sayısız düşündürücü, eğlenceli diyaloglar ve komik sürprizlerle dolu.

The plot explores the devastation of civilization and issues of brutality, hostility and isolation. Pierre Jolivet stars as the main character (identified only as "The Man" in the end credits) who is menaced by "The Brute" (played by Jean Reno) on his journey through a world filled by people rendered nearly mute by some unknown incident.

Alain and Marie moved to the suburb house of their dreams. But the real estate agent warned them: what is in the basement may well change their lives forever.

In the middle of a performance of the play "Le Cocu", a bad boulevard comedy at a Parisian theatre, Yannick gets up and interrupts the show to take the evening back in hand.

Simultaneously, a retired couple overwhelmed by debt tries to win a dance contest, as the minister of economy is suspected of tax evasion, and a teenage girl encounters a sexual maniac, while a young lawyer attempts to climb the social ladder. When the shoe drops, the winner won’t necessarily be the one we expected.

Gabrielle has just joined a prestigious news program. With no formal training, she must prove herself and find her place among an experienced team of special correspondents. In the heat of the action, she will learn the language and the code of these reporters, who are always passionate, often funny, and sometimes scarred by life and their profession. And then there’s Vincent, the program’s editor-in-chief, who she can’t help challenging...

Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.