Young men with no future have little in the present as well. Natale is released from prison: he takes up with his friends again but none can find work. Claudio, from Palermo, gets out of juvenile detention in Naples and he's met by Vita, a girl who's come from home to run away with him. Where can they go? A young dad, whose potato stall at the market is shut down because he has no permit, takes his two small children to the beach and yells at them. Mario, gay, a prostitute in drag, gets a visit from his mom; he offers tea, then finds the water to his apartment is shut off. Social workers drop by, parole officers file reports. What hope is there? What options besides crime?

A TV movie focused on former Mafia boss Bernardo Provenzano and the policemen who tried to catch him.

In the Roman province a group of boys accepted Sola's proposal: to rape two German tourists on holiday in Italy held captive in a shack by a junkyard. The only one who pulls back from the group is Raniero, the others willingly accept to follow him. Slowly the news of the two imprisoned tourists spread like wildfire and attracts all the men of the area.

İspanya ve İtalya'nın en çok satan kitabı "Yo Puta"'dan uyarlanmıştır. Filmin başkahramanları bize dünyanın en eski mesleğinin Sex olduğunu gösteriyor. Kurgu ve gerçeğin birleşmesi yeni ve orijinal bir yaklaşım kazandırarak, hastalık derecesinde merak uyandıran bu gizli dünyaya toplumun bir anlık bakışını sunuyor. Geleneksel sinema sanatının mükemmel bir örneği olan film yapım aşamasında dijital teknolojinin son teknikleriyle kurgulanıyor.

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.

The story of the first ever "anti-mafia judges pool" established in the '80s at the Palermo Courthouse, in Sicily, in the '80s, while two mafia families started a 10-year-long war to obtain the complete control of smuggles.

Professor Lipari teaches in a public school and is in a full-on existential crisis. He has no faith in himself and in the possibility of changing the world for the better. At school, a former student of his who is also a teacher will change his attitude.

The story of the latest week on the earth before the announce of the landing of an extraterrestrial society on earth seen by the eyes of a misogynist man with only the desire solitude and routine.

The story of Giancarlo Siani, a journalist killed by the Neapolitan Mafia in 1985.

Psychiatrist Caruso is arguably as nutty as his patients. He can remember at two years old being completely besotted by the charms of a naked girl. Even today, he can think of little else besides sex, sex, sex.

Gianni is a middle-aged man living in Rome with his imposing and demanding elderly mother. His only outlet from her and the increasing debt into which they are sinking, are the increasingly frequent quiet sessions at the local tavern. As an Oriental saying goes, 'Moments of crisis are moments of opportunities'. These appear during the celebration of the holiday of Ferragosto on 15 August. That's when everybody leaves town to have fun. Opportunity knocks on Gianni's door in the most unexpected way.

Birinci Carlist Savaşı'nda savaşan Martin, Gipuzkoa'daki aile çiftliğine geri döner ancak onun küçük kardeşi Joaquin'in daha çok sevildiğini farkeder. Herkesin dünyadaki en uzun insanı görmesi için para ödemeyi isteyeceğini düşünen kardeşler, Avrupa'nın dört bir yanında uzun bir yolculuğa çıkarlarken, bu hırs, para ve ün, ailenin kaderini değiştirecek. Gerçek olaylara dayanan bir hikaye.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Salvo and Valentino are two happy Sicilian friends, who do not want to work, because they know that if they find a permanent job, their girlfriends will ask them to marry them.

Pasquale Baudaffi, on amnesty, comes out of prison and starts looking for a job with the help of his cousin Gaetano. But first he goes to what was once a brothel, but, unbeknownst to our hapless hero, has been taken over and rented as a dental office. Pasquale finds himself at the center of endless misunderstandings. He tries to be a gamekeeper but that's not okay, he tries to be a waiter in a bar: he immediately gets his orders wrong and he is fired. His performance as a garage keeper was negative. The very latest experience is in an electronics company but its insertion into the futuristic mechanism triggers the craziest complications. The encounter with a lost dog allows him to get to know his mistress and thus discover the woman of his life.

A queue at the ATM machine, a displaced family after a seismic shock that has half-washed their home, a tour within an art gallery, moments of everyday life that become the cues for the emergence of comic, farce, paradoxical situations – trademarks of one of the most successful Italian comic groups.

Yaşlı bir kadını öldürme suçuyla dört yıl hapiste yatan bir adam hapisten çıkar. Çıkar çıkmaz da tekrar öldürme planları yapar ve olası kurbanları aramaya başlar. Önce araba kullanan bir şoförü öldürme girişiminde bulunur; fakat başaramaz ve kaçar. Bir ailenin yaşadığı bir eve gelir ve bir yandan sorunlu çocukluğunu düşünürken, bir yandan da evdekileri akıl almaz zevk ve hazlarına kurban eder.

Klasik amerikan gençlik filmlerinden senaryo bakımından farklı olan Lise Macerası filminin yönetmen koltuğunda Dan Beers bulunuyor. Komedi, Erotizm ve fantastik türlerini içeren film izleyiciye keyifli anlar yaşatıyor.

Dostlukta olduğu kadar aşkta da ayrılığı kabul edememek bu arkadaş grubunu; duyguları, heyecanları ve en derin korkularıyla yüzleşmeye zorluyor. Hüzünlü duygular yaşatırken bir yandan da bizi güldüren bu filmdeki insanların hikayesi, aslında yeni kurallar ve yeni ilişki dinamikleri arayan herkes için tanıdık bir öykü olarak karşımıza çıkıyor.

Hayatında tek bir gün el emeğiyle çalışmamış Vittorio Accattone, himayesindeki kadınları sömürerek parasını kazanır. Elindeki en başarılı seks işçisi Maddalena hapse düşünce, Accattone’nin talihi tersine dönmeye başlar ve kendiyle yüzleşmek zorunda kalır.