Mütevazi bir yaşam süren çiftimiz çok sevdikleri arkadaşlarından uzun süredir haber alamamaktadır. Bu duruma çok üzülen çiftimiz arkadaşların izini sürmeye çalışsada bir yere kadar gelebilmişlerdir. Son görüldüğü yer bir metro istasyonudur tünellerin ilerisine giremezler ve bunun için bu işin uzmanı bir kazıcı tutacaklardır. Normalde çiftin kazıcı ile gelmemesi gerekmektedir ama bu durumuda bir şekilde halledeceklerdir ve karanlıkta yol almaya başlayacaklardır. Fakat gördükleri şeyden sonra dönüşü olmayan bir tünele girdiklerini anlayacaklardır.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Apathy, technology, paranoia, disease and medication. Meet Arin. Arin is a shy videographer who finds it too much to handle to go out and meet girls, so he sets up an account on meester.net. The flood of responses never comes, save for one email from Susan, a struggling artist who finds her job as a waitress stifling her creativity. Susan is also on the shy side and is seeking an alternative to the classic dating situation. When Arin and Susan finally meet, that alternative dating situation comes to life as the two refuse to communicate verbally with each other, wanting to avoid bs small talk.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Two millennials get into a relationship where they are allowed to meet only on 'Tuesdays & Fridays'.

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

What Doesn't Kill Us is a mockumentary about rehabilitated zombies facing the adversities of living in a time when they aren't yet treated equally to humans.

Rachel Corrie, a young American woman and her friends attempt to stop a bulldozer from clearing out some homes and other buildings. Corrie was run over and killed. Witnesses claim it was deliberate.

Jose and Diana fall in love while living a world of drug trafficking.

How to film a word? How to hear a photograph? How to tell a lifetime of love in just 26 words? In searching out the sense of beauty, the border between the real world and that of reverie, fascinated by the dreamlike universe of the French photographer Guillaume Poussou -and who knows- maybe also by the photographer himself, Anahit Simonian takes up her camera for the very first time and begins to dance with her eyes closed. So is born “L'Abcdaire de l'amoureuse d'un photographe”, her first film.

On a dark and stormy night, Death pays a visit to a very old lady and her dog.

Self-flight heroes Nelson Tyler & Bill Suitor, join forces with rookie David Mayman on his gravity defying quest to build & fly the world's first Jet Pack.

Hit the road with Creative Differences and go behind the scenes of their first tour.

Caught in between an ethnic war, Bee struggles between love and death.

Haunted by the disappearance of her husband, a mysterious package slowly fractures a woman's reality; feeding her delusions and pulling her further into the unknown.