Ermus Daglek, retired Empathtek engineer, commandeers a defunct factory where he creates androids based on persons from his past and recreates a dinner party where he lost the love of his life - until they malfunction and escape.

A married college professor decides to seduce her student, whom she hired as a handyman for her yacht. The hesitant student succumbs to his buxom professor, but their romance is interrupted by her corrupt husband and a masked murderer.

Romus ve Romulus kardeşler daha 18 yaşında Tiber nehrinin kıyısında çobanlık yaparak geçimlerini sağlamaya çalışan iki erkek kardeştir. Ama Romulus kendi kuracağı ve kardeşi ile birlikte yöneteceği ve kendisinin kral olacağı bir şehri hayal etmektedir. Ancak trajik kaderleri çoktan yazılmıştır bile ve ne yaparlarsa yapsınlar bu trajik kaderden ikisinin de kaçma şansı yoktur. Romus ve Romulus koyun sürülerini bir selin silip süpürmesi ve çevredeki diğer kabilelerin baskıları nedeni ile kendilerine yeni topraklar aramak zorunda kalırlar ve iki kardeş yanlarında hiç bir şey olmamasına rağmen bu uzun ancak tarih yazacak yolculuğa adım atarlar..

Hayatında tek bir gün el emeğiyle çalışmamış Vittorio Accattone, himayesindeki kadınları sömürerek parasını kazanır. Elindeki en başarılı seks işçisi Maddalena hapse düşünce, Accattone’nin talihi tersine dönmeye başlar ve kendiyle yüzleşmek zorunda kalır.

While trying to raise money to prevent his car from being repossessed, George is attracted to Lola, a Frenchwoman who works in a "model shop", an establishment that rents out beautiful pin-up models to photographers. George spends his last twelve dollars to photograph Lola, and discovers that she is as unhappy as he.

Acımasız bir avcının elinden kurtulmaya çalışan kedi Felix ve arkadaşlarının yaşadığı talihsizlikler ve kazalar serisini izlerken kahkahalarınıza engel olamayacaksınız. Kötü şansının, arkadaşlarının ve türünün soyunu tehdit ettiğini düşünen Felix; kayıp hayvanları kurtarmak için bir plan yapar.

Documentary footage (from the 1950s) and accompanying commentary to attempt to answer the existential question, Why are our lives characterized by discontent, anguish, and fear? The film is in two completely separate parts, and the directors of these respective sections, left-wing Pier Paolo Pasolini and conservative Giovanni Guareschi, offer the viewer contrasting analyses of and prescriptions for modern society. Part I, by Pasolini, is a denunciation of the offenses of Western culture, particularly those against colonized Africa. It is at the same time a chronicle of the liberation and independence of the former African colonies, portraying these peoples as the new protagonists of the world stage, holding up Marxism as their "salvation", and suggesting that their "innocent ferocity" will be the new religion of the era. Guareschi's part, by contrast, constitutes a defense of Western civilization and a word of hope, couched in traditional Christian terms, for man's future.

After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.

Due to a learning disability, Josie's life in a tiny town revolves around a menial job taking care of a garage that could close at any day. Things start to change, however, when David, the son of his boss' girlfriend, comes to work with him. Josie hangs out with David and his teenage friends, bringing them beer, and despite being a grown man himself, finds that the new company lifts his spirits. But his simple-mindedness blinds him to some potential legal dangers.

Despite the advent of science, literature, technology, philosophy, religion, and so on -- none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can't seem to get along, even after thousands and thousands of years.

A teenager discovers an electric pylon growing out of his back and is soon forced to battle cyborg vampires over the future of humanity.

A man (Carmelo Bene) can not bear to be part of society. He considers himself a "jerk" and so invents its own philosophy, which involves the destruction of his land of Puglia where all citizens are devoted to the Catholic religion. However, the man can not destroy the belief of the pilgrims of Salento, because a woman would prevent that. It is an unknown "Santa Margherita", which tries to divert man from his weird and impossible philosophy. Successive scenes of the film show various situations unreal and dream in which the two protagonists try to obtain the best one on the other. After a blasphemous dialogue between monks, the man includes his whole philosophy in a Moorish building. In fact, this seems to have been the scene of the massacre of the famous 800 Martyrs of Otranto, which are considered by the scetic man the absolute death of Christianity.

Adapted from Korean movie, Miss Granny, this movie tells a story of old woman that despise old-age that suddenly transform to a pretty girl with all her youth problems.

After a surprise phone call interrupts his daily workout, beefy body builder Naoto agrees to meet his photojournalist ex-girlfriend to help with her research on haunted houses. Accompanied by a professional psychic, they visit an abandoned house once owned by Naoto's father. But inside the house a dark secret lingers and they find themselves trapped and tormented by a relentless ghost with a 30 year grudge.

Kyle wants to make a Pure Pwnage movie but he has to do some convincing because Jeremy is now living the suburban life and doesn't want to participate.

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.

009 Re:Cyborg follows a group of nine cyborgs, each of them created by a shadowy organization for use as weapons against humanity. The group turns on their creators to protect the population instead, using the powers given them to fight their creators.

Kendine özgü sürrealist üslubuyla 20. yüzyıl sonlarında adını duyuran Polonyalı ressam Zdzisław Beksiński, 28 yıllık evlilikleri süresince yaşadığı her anı kamerasını elinden hiç bırakmadan kayıt altına almayı saplantı haline getirmiştir: Yaptığı distopik tablolardan aile içi kavgalarına, yaşamla ölüm arasında gidip gelen tecrübelerinden aşk ve nefret ilişkilerine ve katıldığı sayısız cenazeye... Yönetmen Jan P. Matuszyński ise bu kayıtlardan yola çıkarak, ihtiraslarla dolu bu sıradışı ailenin biyografik filmini beyazperdeye aktarıyor.