Australian female race car driver, Renee Gracie, attempts to re-enter V8 racing after being pushed out of the sport and becoming a multi-millionaire through online adult entertainment. Using Renee’s individual experiences, the documentary uncovers the exploitation, empowerment and resilience behind Renee’s unconventional success story, and examines the greater injustices faced by women in motorsport.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Shades of Othello loom in this engrossing exploration of class, race, and murder set on an ocean liner. Young Dainah encounters an engineer onboard who mistakes pleasantries for flirtation. When she disappears the next day, suspicion spreads not only to the engineer but also to Dainah's husband.

A young couple on the run come across a derelict trailer park called Bogieville. Convinced to stay by the sinister caretaker, they soon learn that he is a guardian to the Bogievillians, a pack of vampires.

Best friends and classmates Dave, Joe, and Danny put together a pop punk band, Summertime Dropouts. Seizing the opportunity to play at Warped Tour, the guys must prepare for the big day. Between work, school, and relationships, the band comes to the realization that the road to fame isn't an easy journey.

Czechoslovakian opera star Jarmila Novotna plays the title role in the Austrian tunefest Frasquita. Based on a Franz Lehar operetta, the story is the usual frothy nonsense. Dolly (Charlotte Daudert) is engaged to marry Hyppolit (Heinz Ruhmann), but she's really in love with Harold (Hans Heinz-Bollman). Hyppolit is likewise enamored of another, namely Frasquita (Jarmila Novotna). Alas, Dolly and Hyppolit must go through with the wedding, despite the dictates of their hearts. That there's a happy ending all the same comes as a surprise only to the characters on the screen.

Thirty years ago, the nation watched every moment of the Menendez Brothers’ dramatic trial in real time on Court TV. Now, thanks to TikTok and social media, an entirely new generation is learning their story for the very first time.

A young man is determined to find out what happened to his grandfather who was arrested and then disappeared in WW2, why did the new communist government label their family as traitors and why was his father killed many years later.

A boy, eking out a living on Kolkata's streets, falls one day in love with the Moon. This is the story of how he woos her.

Insurance investigator must find out who is setting fires. Along the way he meets and works with a beautiful newspaper reporter and falls in love.

A two-minute computer animation of a fantastical centipede having a spot of bother with a mischievous segment.

Kevin Ryan is Hollywood's leading teen heartthrob. He's the star of "Ninja Boy," a hot Martial Arts TV series. The trouble starts when Kevin decides he wants to leave the hit show, so that he can go to high school and lead a normal teenager's life. However, he is the Studio's biggest money maker and the unscrupulous executives are NOT going to let him leave. Their sinister plans involve a desirable young starlet, a muscle-bound mountain man, and an army of inept thugs trying to kill Kevin's loveable, but mixed-up manager, Uncle Bob.

This is a short film that, although a documentary in appearance, has very little to do with the generic conventions of that form. It would seem, then, that what we have here is the embryo of what he was subsequently to call the "elementary": an abstract or lyrical modality in the perception and exposition of the real.