Mater is the first tow truck on the moon! When an auto-naut gets stranded on his lunar mission, it's up to Mater to venture into space and tow him back to Earth (with a little help from his friend Lightning McQueen, of course).

In a spoof of 1972's The New Scooby-Doo Movies, Scooby-Doo and the Mystery Inc. gang pick up a hitchiking Gary Coleman. Soon after, the Mystery Machine proceeds to break down (multiple times) leaving them stranded at a haunted castle owned by David Cross.

Bu hikaye size her biri kendi yaşam planları olan üç karakterden bahsedecek. Üçü de karakter olarak birbirine benzemiyor ve yolları yavaş yavaş ayrılmaya başlıyor. Samir adında genç bir adam, hayattaki asıl şeyin zengin ve başarılı bir insan olmak olduğuna inanıyor. İş dünyasında belirli zirvelere ulaşmayı başardı ve ailesine iyi para sağlamaya başladı. Samir karısının işe gitmesine karşı çıkar. Evde kalan karısının Akash ile buluşacağı talihsiz iş gezisinden sonra hayatında çok şey değişecek. Bilgiç Samir sadece işte değil, özel hayatında da işleri halledebilecek mi?

Erik Stifler, Stifler ailesinin liseden bakir mezun olan tek üyesi olmak üzere olduğunu fark eder ve bu geleneği bozmak adına elinden geleni yapmaya karar verir. Jim’in babasından (Eugene Levy) alınmış bir dizi iyi niyetli tavsiyenin ardından Erik, şansını her yıl düzenlenen ve son derece rezil olan Çıplak Yol yarışlarında denemeye karar verir.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Mater tells Lightning McQueen about his former job as a daredevil.

The beautiful, beastly Beverly returns and faces a new gaggle of gargantuan gals, hell bent on achieving deluxe diva domination. Get ready for the cinematic smackdown thrills of Giantess Battle Attack. Size really does matter.

In the last days of WW2, women are volunteering from all over Germany to serve in the front lines by having sex with the brave Nazi soldiers. But when they start having sex with each other, things get complicated. Especially with the increasing danger from the revengeful Soviet army!

A writer looking for inspiration finds a perfect muse in a girl. After much work, he makes her his girlfriend. But then he starts to get tired of her.

Franjinha, the inventor kid in Monica's gang, tired of reading the comics, invents a new device to read the stories: a kind of a story-processor, that swallows the printed pages and projects the scenes in movement, on the wall.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

American Pie serisinin üçüncü filminde evlenmeye karar veren Jim ve Michelle Jim'in ağır hasta olan büyükannesinin düğünlerini görebilmesi için düğün hazırlıklarını iki haftada tamamlamaya çalışırlar. Stifler'ın ebeveynleri onun ısrarları sayesinde yeniden evlenmeye karar verirler; Finch ise bu evliliğe engel olmaya çalışır. Bu arada Finch ile birlikte Jim için büyük bir bekarlığa veda partisi planlayan Stifler ise Michelle'in kız kardeşi Cadence ile yakınlaşır. Partiden sonraki sabah uzak bir kasabada terkedilmiş bir depoda uyanan Jim düğününe vaktinde yetişmek zorundadır...

Şanssız bir büyücü olan inanılmaz Kradsky, prensesin sihir gücünü çalar ve Scooby-Doo ve Shaggy onu durdurmalı, aksi takdirde herkes korkunç Cadılar Bayramı canavarlarına dönüşecektir! Kahramanlarımız, gece yarısından önce Goblin Kralı'nın elinden Goblin'in asasını geri almak için Cadılar Bayramı'nın fantastik dünyasına Dread Reaper demiryolunda yola çıktı. Yol boyunca, onları öbür dünyada bir yolculuğa çıkaran Başsız Süvari, balkabağı fener yardımcıları ve eğlenceli bir süpürgeyle tanışırlar.

In yet another hilarious caper, Fred, Daphne, Velma, Shaggy and, of course, Scooby-Doo team up with the talented Harlem Globetrotters to solve a haunting that, apparently, involves the ghosts of Paul Revere and other Revolutionary War soldiers. A second episode features the gang and the Globetrotters heading to a deserted island for some relaxation, but they realize they are in for trouble when their ship sets sail with nobody at the wheel.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.