A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

Sevgililerinin kardeş olduğunu öğrenen iki kırgın eski sevgili, Noel’i aynı çatı altında geçirmek ve geçmişlerini gizlemek zorunda kalır.

Two law enforcement officers are looking for a cocaine smuggler who escaped from prison.

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.

An elementary school class without a teacher, a contract signing with a giant football club and a new year's eve party. Three tales tinged with aspiration and the desire to escape express a look into a youth absorbed by the power of dreams and the harshness of reality. A generation facing growth in tension with the future.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

For a poet with a gift for crafting words into barbs, Stevie Smith lives a relatively conventional life. Sheltered in a London suburb, she spends her days engaged in tedious housework, crafting verse and conversing with her aunt. But while her body may be committed to drudgery, Stevie's mind is constantly trying to break free, which causes her to rail against religion and middle-class values, and prevents her from finding happiness with a man interested in her.

Twins Lake and Lucas hate each others’ guts. One day after school, their sibling rivalry gets out of hand.

Charismatic Nolan Bentley wakes up in the middle of a remote forest, tied to a tree with no recollection of how he got there. With his time relentlessly running out, a mysterious stranger appears and he must finally reckon with the demons of his past and fight to survive to find a way out of his nightmare.

Together with African small farmholders Tony Rinaudo, an Australian agronomist, has been fighting against the spread of the desert for 30 years and challenges ideas of conventional reforestation with his simple yet effective method.

A zonked-out student director and his responsive D.O.P. friend are hunting for location to their new black and white movie in the great Hungarian desert. Strictly fiction?