A rich businessman moves to countryside to give his life a meaning.

In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

The energetic Peas-n-a-Pod siblings teach Forky about reading and how it is done, with a little help from Mr. Spell

Kathleen Madigan drops in on Detroit to deliver material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, and her love of John Denver and the Lunesta butterfly.

Paris By Night 87: PBN Talent Show - Finals is a Paris By Night program produced by Thuy Nga that was filmed at the Knott's Berry Farm in Buena Park, California on February 10th, 2007. This is the first Paris By Night's Talent Show. This Talent Show consists of Paris By Night 86 - Semifinal and Paris by Night 87 - Final. After the Semi-Final, there are 7 remaining contestants in the final.

Insurgent trio The Shield’s onslaught against injustice has led them into the path of ravenous monster Ryback and Team Hell No, as the two sides engage in a treacherous Tables, Ladders & Chairs match. Plus, John Cena attempts to rewrite history and seize Dolph Ziggler’s most prized possession, the Money in the Bank briefcase, in a high-stakes Ladder Match. And the hostility between Big Show and Sheamus escalates to barbaric new levels when they collide in a Chairs Match for the World Heavyweight Championship. WWE wraps up 2012 with the most unruly event of the year, WWE TLC: Tables, Ladders & Chairs!

Pferdebusen (Horse Boobs) is the fifth part of a series based on Arthur Schnitzler’s Dream Story. In the text, Katrina Daschner is interested in the ambiguity of fiction and reality, and the tension of unrealized sexual desires. She deconstructs this framework in her development of queer relationship scenarios. In Pferdebusen the filmmaker masterfully succeeds in staging the ruptures and irritations that are so essential for showing and wanting, with subtle humour and grandiose human and non-human actors.

A short film about a group of friends whom summon the ghost of a deceased woman mourning his child.

Through new camera techniques never before attempted we are able to put your audience on the edge of their seats, gasping for breath through FEEL-A-VISION. Your audience will boast that in one night they were able to whip a young girl to her masochistic climax - feel the warmth of a young female hitchhiker's gratitude for giving her a ride - answer a voyeur's plea to endure his young wife's sensuous desires - be sucked into a back alley profession they only dreamed existed - be pulled into a religion that requires a witness to an act of awareness by two young female believers and finally to participate with them in the most bizarre rite of depravity - take pictures of a would be starlet in a celebrated model studio and for a few dollars more get exactly what they want - get anything they wanted from a young Mexican girl in trouble with the police in return for helping her escape.

Cheque and Lucas are two friends who, after winning the biggest lottery in the country, are ready to take the leap into their new life, the new rich millionaire life.

As Felicitas' life is turned upside down, she doesn't know if her nightmares are taking over or if something bigger is trying to control her - and the only way to find out the truth is her best friend Natascha who is locked up in an asylum.

Freddy and Marvin have their sights set on a future filled with “monies and honeys”, believing that a life of crime and debauchery will get them there. Unfortunately, living a life of crime comes with consequences. When a series of straightforward jobs are botched, they cross paths with their most intimidating enemy yet, The Upholsterer. The ensuing chaos caused by her two henchmen Semo and Royon their hunt to find the boys forces them to reconsider their careers as criminals.

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films