Shamshera filminin tarihi, gelişimine 19. yüzyılın sonunda başlar. Ayar Hindistan. Büyük bir kültürel çalkantı geçiren bir ülke, İngiltere'ye olan yoğun bağımlılığı nedeniyle sürekli olarak ciddi kısıtlamalarla karşı karşıya. Ancak bazıları buna katlanmaya hazırsa, diğerleri kendilerini kurtarmak için hazırlıklara başlar. Hoşnutsuzluk büyüyor. Bağımsızlık mücadelesinde yer almak isteyenlerin sayısı her geçen gün artıyor. Devrimci hareket, cesur bir kahramanın ve doğuştan bir liderin ilan edildiği, insanları yönetmeye hazır olan yerleşim yerlerinden birinde başlar. İngiliz yönetimini bir kez ve herkes için sona erdirmek için Hindistan'ın en önemli ayaklanmalarından birine öncülük ediyor. Yakında diğer cesur savaşçılar Shamshera filminin kahramanına katılır. Birlikte tehlikeli bir düşmanla karşılaşacaklar. Ama onu yenebilecekler mi?

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

A young, hip-hop A&R falls in love with a seemingly perfect woman but eventually must decide whether he is willing to accept the colossal baggage she comes with or risk walking away from his soulmate.

Quinn (Scott Adkins), aniden Vietnam Fountain Park adı verilen bir parkta uyanır ve ne şimdiyi ne de geçmişi hatırlamaz bir halde kendini bulur. Fakat kısa bir zaman içerisinde Quinn kızının 2 hafta önce kaçırıldığını ve onu bulması gerektiğini hatırlar. Gizemli güçlerin devrede olduğunu anlaması uzun sürmez.

İşinde iddialı bir pasta şefi olan Claire, yeni işyerinde oldukça yoğun bir tempoda çalışmaktadır. Annesi kızının işten aşka vakit ayıramadığını fark eder ve işe koyulur.

Mobile Suit SD Gundam Mk. II delivers with more tongue-in-cheek humor than the first series. In "The Rolling Colony Affair," a colony is hosting a cabaret show featuring the girls of Gundam. But the show turns disastrous when men and mobile suits go crazy over the girls, sending the colony rolling out of control. A parody of the videogame RPG genre, "Gundam Legend" has Amuro, Kamille and Judau sent on a perilous quest to rescue the princess of the Zeta Kingdom from Char Aznable and his vicious Zeon MS forces.

A collection of short parodies of the Mobile Suit Gundam saga. Episode 1 pokes fun at key events that occurred during the One Year War. In episode 2, Amuro, Kamille and Judau fight over who runs the better pension when Char comes in to crash their party. Episode 3 is the SD Olympics, an array of athletic events pitting man with mobile suit.

Oliver's Divine Delivery Theory is put to the test when he and the POstables seem to be unable to deliver a damaged letter from a military veteran that's a matter of life and death.

Rarity's friendship with Applejack is tested when Vignette Valencia hires her as her new designer for a theme park parade.

Christmas is-a-jingling to Lapland in 1984. Niina, a single mother, is fired from her job in a bakery and drifts into the middle of an international missile crisis in Inari when the Soviet Union shoots a missile across the Finnish border.

After going on a killing spree in 1984, the legend of the Pumpkin Man returns once again to slay more victims 30 years later.

Samsara is the Buddhist cycle of death and reincarnation. From the temples of Laos, alongside with teenage monks, we will accompany a soul in its transit from one body to another through the bardo. The words of the "Tibetan Book of the Dead" will be our guide to avoid getting lost in the afterlife. A luminous and sonorous journey that will lead us to reincarnate on the beaches of Zanzibar, where groups of women work in seaweed farms.

İrlanda doğumlu Keegan, üzücü bir kaybın ardından İspanya doğumlu arkadaşı Moya ve sihirli bir geyik sürüsü ile tehlikeleri ve umutsuzluğu dans ederek aşmayı öğrenir. Bu keyifli öyküde dans ve eğlence "Riverdance"in ödüllü bestecisi Bill Whelan imzalı yeni şarkılar eşliğinde buluşuyor.

A family (mother, daughter and son) tries to survive their loneliness and obsessions by going through different sexual experiences and relationships with a new neighbour, a prostitute.

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

The SD Gundams are at it again: first with a race among all of the prior SD Gundam characters, then the SD Zeons run a space travel agency in the second episode.

An environmental analyst is asked by the police to determine if two deaths by hydrogen sulfide poisoning are an accident - or a murder. But when he meets a young woman at both sites, a scientific mystery begins.

The fourth installment of the 'Fantastic Beasts and Where to Find Them' series which follows the adventures of Newt Scamander.

Dad Iván, is the testimony of the daughter of a Montonero guerilla leader that died during combat: Iván Roqué, the Iván in the title and father of the director. The documentary exposes in a moving way the difficult relationship between a daughter and her heroic, mythified father. At the same time it also becomes not only the reflection of a daughter but of an entire generation, about the feelings of abandoment, abscense, the tragedy, the exile and death. Feelings, ideas, dreams and facts are confronted. Tears are shed as much as admiration is expressed for the father, he is questioned as strongly as he is veneered.