Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

Shamshera filminin tarihi, gelişimine 19. yüzyılın sonunda başlar. Ayar Hindistan. Büyük bir kültürel çalkantı geçiren bir ülke, İngiltere'ye olan yoğun bağımlılığı nedeniyle sürekli olarak ciddi kısıtlamalarla karşı karşıya. Ancak bazıları buna katlanmaya hazırsa, diğerleri kendilerini kurtarmak için hazırlıklara başlar. Hoşnutsuzluk büyüyor. Bağımsızlık mücadelesinde yer almak isteyenlerin sayısı her geçen gün artıyor. Devrimci hareket, cesur bir kahramanın ve doğuştan bir liderin ilan edildiği, insanları yönetmeye hazır olan yerleşim yerlerinden birinde başlar. İngiliz yönetimini bir kez ve herkes için sona erdirmek için Hindistan'ın en önemli ayaklanmalarından birine öncülük ediyor. Yakında diğer cesur savaşçılar Shamshera filminin kahramanına katılır. Birlikte tehlikeli bir düşmanla karşılaşacaklar. Ama onu yenebilecekler mi?

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Güçlü bir general, krallıklarını ani bir istilaya karşı savunmak için, artık büyümüş ve zafer hayali kuran bir savaş yetimiyle birlikte savaş alanına geri döner.

Have you ever felt lonely in a Relationship..., Marriage or Live_In , doesn't matter, when you can't share your feelings with your companion, it is like travelling to an unknown destination with a troublesome partner.

Kensuke Sonomura directs the legendary Hitoshi Ozawa in this ultimate V-Cinema actioner. Kaiko City is plagued with poverty and crime. When a corrupt businessman decides to run for mayor and starts eliminating opponents from the rival mafia, a former police captain serving time for murder is secretly released and put in charge of a special task force to arrest him.

Election Night 1979: Margaret Thatcher is about to come into power. A young black man is held on suspicion of murdering his pregnant wife. Officers Karn and Wilby, racist to the core and high on the prospect of a Conservative Party victory, try to lure the suspect into a quick confession. But the night has just begun...Callous humiliation gives way to a barrage of sinister violence, leading to a devastating conclusion.Written by Barrie Keefe, who was behind the British classic The Long Good Friday, SUS is an emotionally charged and incredibly tense crime drama that serves as a powerful outcry against past institutional racism. But in the age of counter-terrorism SUS also begs the question: has history caught up with us?

8mm work directed by Norihiko Morinaga.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

Several little boys run along a pier, then jump into the ocean.

"Behind every strong man is a strong woman!", Mumine shouts as her husband is arrested. She has 4 children, she's in her mid-30s, and she's the wife of a Crimean Tatar political prisoner. Muslim Crimean Tatars have been oppressed for a long time. They were deported under Stalin, allowed to return under Gorbachev, and since the occupation of Crimea in 2014 under Putin, they are being persecuted again. "Return" is a portrait of Mumine and Maye, two strong women struggling with the consequences of oppression. Their traditional understanding of their role as women does not stand in the way of their dedication. They possess strength, beauty and dignity. Only in their most intimate moments, they are overwhelmed by desperate helplessness.

After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

12, is a comic parody about an office's obsession with the television show 24 as the their obsessions kick into high gear with the shows season finale approaching. Part The Office part 24, the short film mash-up introduces a novel send-up of these pop culture staples.