Foghorn Leghorn's sharp-tongued, domineering wife orders him to sit on their egg while she goes out to play bridge, but Foghorn becomes careless, allowing little Henery the Chicken Hawk to take the egg away. Foghorn must retrieve it, or else!

Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.

Zombi filmlerini hayatımıza sokan yönetmen George A. Romero'nun, meşhur üçlemesinden 'Yaşayan Ölülerin Gecesi'ni merkeze alan bir belgesel. 1968'de Pittsburg'lu mütevazi bir genç olan George Romero ilk sinema filmi 'Night of the Living Dead'i çekmiştir. Bu belgeselde Romero'nun filminin o dönemde korku sinemasında ve dünya sinema çevrelerinde yarattığı büyük etki inceleniyor.

Ken, a WWII GI, returns home after he's paralyzed in battle. Residing in the paraplegic ward of a veteran's hospital and embittered by his condition, he refuses to see his fiancée and sinks into a solitary world of hatred and hostility. Head physician, Dr. Brock cajoles the withdrawn Ken into the life of the ward, where fellow patients Norm, Leo and Angel begin to pull him out of his spiritual dilemma.

Based on the Mario Mendoza's book and inspired by true events, tells three interconnected stories happening in the eve of the infamous Pozzetto Massacre.

A soap opera writer gets hit on the head and wakes up as a character in his own show.

In Rio de Janeiro, the forty and something years old Mercedes (Lília Cabral) goes to the psychoanalyst and tells the story of her life since she was a girl and lost her mother. Along the three years of analysis, her life changes and she divorces from her husband Gustavo (José Mayer) and has love affairs with the younger Theo (Reynaldo Gianecchini)

In a quirky, small town, situated in the outskirts of everything, 14-year-old Martin is getting ready for one of the most formal transitions from boy to man; the communion. It's 1976, music's in the air and hormones are blossoming. But in the midst of it all Martin's mother suddenly passes away and her tragic death trickers a series of events that not only changes Martin's life forever, but also affects everyone else in the local community. Overwhelmed with grief neither Martin's dad, nor his older brother, is capable to comfort Martin. He enters adulthood in a mixture of drunken happiness and immense sadness over the loss of his mother, and his relationship to both his friend Kim and girlfriend Kristine comes to its natural conclusion.

I am Chris Farley tells his hilarious, touching and wildly entertaining story - from his early days in Madison, Wisconsin, to his time at Second City and Saturday Night Live, then finally his film career (which included hits like Tommy Boy and Black Sheep). The film showcases his most memorable characters and skits from film and television and also includes interviews and insights from his co-stars, family and friends - including the likes of Christina Applegate, Dan Aykroyd, Mike Myers, Bob Odenkirk, Bob Saget and Adam Sandler.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

In 2009, Scott Mescudi aka Kid Cudi released his debut LP, Man on the Moon: The End of Day. A genre-bending album that broke barriers by featuring songs dealing with depression, anxiety and loneliness, it resonated deeply with young listeners and launched Cudi as a musical star and cultural hero. A Man Named Scott explores Cudi’s journey over a decade of creative choices, struggles and breakthroughs, making music that continues to move and empower his millions of fans around the world.

The new guy in a Los Angeles high school, Morgan, does some singing and fights hotshot Nick over disco dancer Frankie.

Since the beginning of her career, Sinéad O’Connor has used her powerful voice to challenge the narratives she was surrounded by while growing up in predominantly Roman Catholic Ireland. Despite her agency, depth and perspective, O’Connor’s unflinching refusal to conform means that she has often been patronized and unfairly dismissed as an attention-seeking pop star.

Hem kolektif hem de kişisel inanç ve pratikleri şekillendiren ve meşrulaştıran ideolojinin labirent kalbine bir yolculuk: Slovenyalı filozof ve psikanalist Slavoj Žižek, popüler kültüre karşı bulaşıcı bir heves ve doymak bilmez bir iştahla, sinema tarihinin en önemli filmlerinden birkaçını analiz ederek sinemasal anlatının hakim etik ve siyasi fikirleri güçlendirmeye nasıl yardımcı olduğunu açıklıyor.

A documentary about the legendary series of nationally televised debates in 1968 between two great public intellectuals, the liberal Gore Vidal and the conservative William F. Buckley Jr. Intended as commentary on the issues of their day, these vitriolic and explosive encounters came to define the modern era of public discourse in the media, marking the big bang moment of our contemporary media landscape when spectacle trumped content and argument replaced substance. Best of Enemies delves into the entangled biographies of these two great thinkers, and luxuriates in the language and the theater of their debates, begging the question, "What has television done to the way we discuss politics in our democracy today?"

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

İnsanoğlu, insan taklidi yapabilen, insan eti yiyen parazitlerin saldırısı altındadır. Genç bir lise öğrencisi olan Şiniçi İzumi ile parazitlerden birinin bağı vardır ve diğerlerini durdurmak için ondan yardım ister.

Usta bir kalpazan olan Salomon Sorowitsch’in gerçek hikayesini anlatan film, savaştan kısa bir süre sonra, kumarbazların cenneti, görkemli Monte-Carlo’da başlar. Yıpranmış, eski püskü bir pardesü giydiği halde elinde para dolu bir çantayla sahilde oturan adam Salomon Sorowitch’in ta kendisidir. Geçmişine ait en büyük iz de kolundaki işarettir…

Adrien Rivoire adındaki genç bir adam, I. Dünya Savaşı'nda yaşamını yitiren Frantz Hoffmeister'ın mezarını günde iki kez ziyaret edip çiçek bırakmaktadır. Bu durum Frantz'ın nişanlısı Anna ve ailesinin dikkatini çeker. Genç adamı evde ağırlayan ve Frantz ile yakın arkadaşlığını öğrenen Anna, Adrien ile bir bağ kurmaya başlar. İki yaralı insan birbirinin acısını paylaşarak hafifletirken, Frantz'a dair bilinmeyen sırlar da gün yüzüne çıkacaktır.

Yılbaşında çocukları cezalandırdığına inanılan eski bir pagan kahramanının hikayesini anlatan korku komedi filmi.